The words occupy a prominent space in the life and work of Giovanni Lindo Ferretti. This time, if possible, have an even more pronounced, to the extent that tell a piece of the world in disintegration (in fact many believe already completely disappeared) that Ferretti has found and investigated and where it is surrounded by some years part. Those who follow the former C.C.C.P., C.S.I and P.G.R. knows what it is: the world where he was born and was bred (with his horses), who left to pursue a convergence of music, politics and avant-garde and it has illuminated the threshold of sixty, projecting in a new perspective that is reflected (as has happened in the past) in his music and in his public image. The imprint of his present life is this new album, “Saga. Il canto dei canti”, elaborated in a contradictory vision but perfectly adherent to ferrettiano thought: “I have a relationship of respect and not love with the music. I believe there is an overestimation of the music, and there is an abuse of the music. I love the silence does not love music. But respect the music”.
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