What happens in the musical scene during Domenico Scarlatti’s life and in the following decades after his death is a further weirdness related to the Neapolitan composer. While most of baroque (…)
After a long time I’m taking back my articles with some writings about Domenico Scarlatti and his repertoire for keyboard. I’ve just finished to record my second CD dedicated to Scarlatti’s (…)
The meaning of the term "articulation" is quite controversial. It could be intended as a technical device allowing to divide notes via an imperceptible separation between them, getting those (…)
In my previous articles I spoke about the sources of information on the repertoire of the seventeenth and eighteenth century; in this fourth one I will deal with the fundamental questions (…)
The method is aimed at preschoolers. For the first time the children learn through imitation and listening as they learn their language. Parents are present during the lessons and become the (…)
The last point to be developed (among those proposed in the previous article about the sources of information on the repertoire of the 17th and 18th centuries), is related to the ancient (…)
In my first article I spoke about the fundamental role of awareness in the interpretation of early repertoire. In this article, I will focus my attention on the analysis of the theoretical (…)
With this article we inaugurate a new space in which, on a monthly basis, we will deal with accordion in relation to early music. Giorgio Dellarole, concert performer and teacher, will edit (…)
Professional Microphone System specially designed to drastically reduce feedback problems. Maintains The original sound of the accordion reed sounds. New...