I really think the competition for solo accordion are very important, because it is necessary to assume a role and find a place in this "family" of accordion, even if it is a small world (...)
London is the ideal place for any instrumentalist. For an accordionist, then, it's great, because the students are like a small niche and, therefore, are always well followed by teachers (...)
With this article we inaugurate a new space in which, on a monthly basis, we will deal with accordion in relation to early music. Giorgio Dellarole, concert performer and teacher, will edit (…)
The meeting takes place in the city center, in Via Roma. That part of the city of Sassari maybe the posh area, well known to the middle-class, where takes place Palazzo di Giustizia (…)
Our journey through the manufacturers of Castelfidardo continues with an interview with a company that is on the market since 1978 with the instruments of excellent workmanship. We visited (…)
In Italy, in recent years, the attention and respect for the artist have been improved tremendously, although the cultural rate remains undoubtedly lower than in other European countries (...)
Could you, please, tell us about the images of this composition? Which images are reflected in the 1, 2 and 3 movements of sonata? For example, 1 movement is Passacaglia (…)
The creative process is a complex and multifaceted, because something new is born at this moment. Something what did not exist yet. You compare this process with the disease. Why? (…)
Today I would like to present you an interview with a wonderful musician, teacher and composer Viatcheslav Semionov, where he talks about his new composition Sonata № 3 (…)
Viatcheslav Semionov probably one of the most performed composers among accordionists, and his compositions have a great success with the public. Practically in every contestants (…)
Professional Microphone System specially designed to drastically reduce feedback problems. Maintains The original sound of the accordion reed sounds. New...