The passion for the accordion I was sent by my father, who worked in one of the many companies in Castelfidardo. The choice to learn the craft of tuner was random (…)
The main novelty of this edition is the category ACCORDION [ on] STRING, a special section of the competition reserved for students of accordion and composition classes (…)
For the public it is fascinating to see a woman playing the accordion, because it is always associated with a male figure. I was 8 years when I had a lightning strike (…)
I had the luck of worked with Professor Marija Vukicevic during high school, the professor who used her free time to improve my skills. Later with my transfer to Kragujevac (…)
Crafts enterprise family repository of a wealth of knowledge handed down and refined over the years, from generation to generation. It is born after the war by the intuition of the brothers (…)
My training was very heterogeneous. When I was 7 years old I came close to the accordion following my grandfather and uncle’s passion, that was linked to folk music (…)
In my previous articles I spoke about the sources of information on the repertoire of the seventeenth and eighteenth century; in this fourth one I will deal with the fundamental questions (…)
I think every career is challenging when trying to arrive at a high level; that of the composer today is perhaps more problematic due to the more limited role of the figure of the composer in (…)
The contemporary self is multiple, differentiated, lightning forced the interpretation of data from space too far away. The speed with which news people and attitudes moving forces them to (…)
After many research, the performer and teacher Walter Di Girolamo has the Patent "Straps for accordion postures pro". It is an adjustable structure intended to connect the accordion to the (…)
Professional Microphone System specially designed to drastically reduce feedback problems. Maintains The original sound of the accordion reed sounds. New...