Interviews

Interpret the music without taxation. Interview with Mirko Satto

Posted by Daniele Cestellini
/ 21 December 2013 / Leave a comment

The promotion of the accordion also passes through many associations and people active to organize concerts and musical events, which allow you to introduce this tool to its full potential (...)

Posted in Accordion, Interviews, News
Popular, classic and contemporary. Interview with Giorgio Dellarole

Posted by Daniele Cestellini
/ 15 December 2013 / Leave a comment

Many people from different cultures admit that they were touched by the expressivity of the accordion, and perceive a sense of familiarity even when they discover it as a "classic" (...)

Posted in Accordion, Interviews
From tango to chamber music. Interview with Cesare Chiacchiaretta

Posted by Daniele Cestellini
/ 7 December 2013 / Leave a comment

I try to play around and try to have a much "rock" approach with the instrument. The market of concerts and entertainment now ask you this and now is the time for us accordionists to (...)

Posted in Accordion, Interviews
Accordion is accordion. Interview with Antonio Spaccarotella

Posted by Daniele Cestellini
/ 1 December 2013 / Leave a comment

That day I was watching the accordionist like a was mesmerized. Then I started studying it in a village school and then continue to grow with this tool, the only love that takes me always (...)

Posted in Accordion, Interviews
Accordion between history and future. Interview with Alessandro Mugnoz

Posted by Daniele Cestellini
/ 16 November 2013 / Leave a comment

You should talk about "accordion" in the plural. And not just for the variety of models, but for the variety of uses, that is of musical genres and repertoires involving these instruments (...)

Posted in Accordion, Interviews, News
The bayan in contemporary music. Interview with Massimiliano Pitocco

Posted by Daniele Cestellini
/ 10 November 2013 / Leave a comment

Play my instrument, the bayan, means first of all to play any kind of music. But also means that at the same time I have the the grat opportunity to express myself through different facets (...)

Posted in Accordion, Interviews, News
Music beyond boundaries. Interview with multifaceted Aleksander Ipavec

Posted by Daniele Cestellini
/ 2 November 2013 / Leave a comment

Today I can say that play the accordion is to feel free to travel to worlds musically very different and distant from each other, and try to merge them into a unique music without borders (...)

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The contemporary accordion. Interwiev with Claudio Jacomucci

Posted by Daniele Cestellini
/ 26 October 2013 / Leave a comment

Claudio Jacomucci graduated in accordion at the Conservatoire Nationale de Grenoble in 1992 (Medaille d'Or à l'unanimité). He studied accordion with Jean Luc Manca, Vladimir Zubitsky (…)

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You need to play accordion with body and soul. Talk with Saro Calandi

Posted by Daniele Cestellini
/ 19 October 2013 / Leave a comment

Saro Calandi supports his strenuous concert activity, which leads him to perform as a soloist and with groups and artists with different music background, the work of composer and teacher (...)

Posted in Accordion, Interviews, News
The music is good for heart and soul. Interview with Gianni Mirizzi

Posted by Daniele Cestellini
/ 10 October 2013 / Leave a comment

The italian accordionist Gianni Mirizzi talks about his experience in the field of teaching, referring to organology, its interests and projects, from classical music to jazz and improvisation (...)

Posted in Accordion, Interviews, News