When I started to study jazz with the accordion, the biggest obstacle, that I encountered, was not the information or theory… but the “teachers” themselves (not all of them), the lack of respect (…)
The passion for the accordion I was sent by my father, who worked in one of the many companies in Castelfidardo. The choice to learn the craft of tuner was random (…)
For the public it is fascinating to see a woman playing the accordion, because it is always associated with a male figure. I was 8 years when I had a lightning strike (…)
I had the luck of worked with Professor Marija Vukicevic during high school, the professor who used her free time to improve my skills. Later with my transfer to Kragujevac (…)
Crafts enterprise family repository of a wealth of knowledge handed down and refined over the years, from generation to generation. It is born after the war by the intuition of the brothers (…)
My training was very heterogeneous. When I was 7 years old I came close to the accordion following my grandfather and uncle’s passion, that was linked to folk music (…)
I think every career is challenging when trying to arrive at a high level; that of the composer today is perhaps more problematic due to the more limited role of the figure of the composer in (…)
The contemporary self is multiple, differentiated, lightning forced the interpretation of data from space too far away. The speed with which news people and attitudes moving forces them to (…)
For me communication and exchange are an essential part of the music, as improvisation. I had the honor and the luck to play with great musicians and when the approach is right, we have (…)
The method is aimed at preschoolers. For the first time the children learn through imitation and listening as they learn their language. Parents are present during the lessons and become the (…)
Professional Microphone System specially designed to drastically reduce feedback problems. Maintains The original sound of the accordion reed sounds. New...