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V. Semionov: “Sonata № 3 Reminiscence of the Future” 1st part
Today I would like to present you an interview with a wonderful musician, teacher and composer Viatcheslav Semionov, where he talks about his new composition Sonata № 3 (…)
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The greater Russian contemporary composer: Viatcheslav Semionov
Viatcheslav Semionov probably one of the most performed composers among accordionists, and his compositions have a great success with the public. Practically in every contestants (…) -
Curiosity for the accordion. Interview with Giordano Giannarelli
The young age of the accordion allows many players to be builders and promoters, sometimes even unknowingly, of discoveries and applications that only a few years ago were just unworkable (...) -
Excite rather than impress. Interview with Francesco Furlanich
When I compose I adopt different styles, those most appropriate to describe emotion or story I feeling to share. I draw inspiration from multiple genres: classical, ethnic, folk, pop, etc. (...) -
The experience and passion. Interview with accordionist Kimmo Mattila
The accordion has an exceptional position in the musical world: interesting history, strong national characterization in some styles, and at least 50 years a major position in contemporary (…) -
Romano Viazzani in conversation with Milos Milivojevic (2nd part)
The majority of people that I work with are all free-lance musicians, we all have different projects running at the same time and there are probably in a year between 80 and 100 concerts (...) -
Teaching and electronic music. Interview with Alexander Selivanov
The electronic accordion is certainly an interesting "toy". What I hope is that the inclusion of this instrument in the accordion program teaching could attract more students into our schools (...) -
Wonderful and versatile instrument. Interview with Anthonino De Luca
Besides his indisputable musical skills, Frank Marocco gave me his best teachings on the human level, infusing me the value of humility, which for a musician is the most important (...) -
Jazz identity of the accordion. Interview with Renzo Ruggieri
The accordion is an extreme timbre instrument. For this reason, the contrasts and multiple sounds, allow this instrument to give its best in "solo", as well as in small orchestra projects (...) -
The genius over the passion: Fiorenzo Bernasconi and his “Bercandeon”
The Bercandeon is an aerophone, free-reed, chromatic instrument. It has 34 keys on each side, with an extension G-2, E+1, for the left hand; G0, E+3 for the right hand. The extension goes up or (…)
